this essay "The City of The End of Things"

Winter Uplands is the last poem written by Archibald Lampman. He became ill when he returned from this walk, and died nine days later, at the age of 37.

Archibald Lampmans The City of the End of Things; ..

darkest moments we get the main topic of this essay "The City of The End of Things".
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A poetic Analysis of Archibald Lampman - WriteWork

Lampman developed a severe and constant pain across his chest, which increased and would not yield to any ordinary remedies. His physicians traced the trouble to his heart, and then were recalled by his companions the feats he had performed in the wilds of Temagami, his labours at the portage and the camping place, and their fruitless endeavours to restrain him from doing an undue share of the work. For heavy burdens and tasks requiring great endurance his physique was ill-fitted, yet there was in the man that robustness of will and tenacity of purpose that prompted him to lift as if he were a giant and paddle as if he were a trapper. His weakness, finally called by his physicians enlargement of the heart, with valvular incompetence, and an aneurism of the artery at the base, gradually developed, and it became evident that he could not survive a great while, that he must leave many of his plans unfinished, many of his dreams unrealized.

A poetic Analysis of Archibald Lampman

Constable & Company of Edinburgh had done the work. It was to be in form such a book as he loved to contemplate, and day by day he was expecting to hear of its completion. But he was never to hold it in his hands.
On the evening of the 8th of February, 1899, he was stricken with a sharp pain in the lungs, and lingered with intermittent suffering until the 10th; then in the first hour of the morning he passed away as if to sleep. He was no more in this world, in which he had worked so steadfastly, and which he understood and loved so well. On Saturday, [page 58] the 11th, his body was borne to Beechwood Cemetery surrounded by many of the men who had loved and respected him in life.
Archibald Lampman was of middle height, and of a slight form. In the city he walked habitually with a downcast glance, with his eyes fixed upon the ground; in the fields and woods he was alert and observant. His manner was quiet and undemonstrative. His voice was mellow and distinct. The portrait preceding this memoir gives an idea of his features and is the best of several in existence. Before the camera the lines of his face hardened, and the lovely spirit in his eyes departed. It would explain the fascination of this personality if that deep, bright, lucid glance could be preserved, if it could look out upon the old and new readers of his poems with the shadowed sweetness that charmed and attracted in life. Although his face and its expression were in harmony, the index of his character was written in his brow, candid and serene, and in his eyes sincere and affectionate. His brow was finely moulded and over it fell the masses of his brown hair, that glowed with a warm chestnut when the light touched it. His eyes were brown, clear and vivid.
Perfect sincerity was the key-note of his character. He was true to his ideals, in his work and in his life. Born without means and always living on a narrow income, his desire was for the greatest simplicity. A lodge in the forest and the primitive life would have fitted his contemplative mood. And when he built castles his imagination always placed them beside one of our northern lakes where everything was profoundly free and natural. His genial, tranquil temperament lent a quietness to his manner that gave not a hint of his virile spirit. There was no balance between the body of the man and his mind. That was radical and pierced to the sources of things. He was on the side of all good in the wider way. No convention frightened him or obscured his judgment. His writing proves his faith, his courage and the soundness of his morality. In the wider politics he was on the side of socialism and reasonable propaganda to that end, and announced his belief and argued it with courage whenever necessary. Caution might have been prophesied from his want of bodily vigour, but he had an adventurous spirit, and believed in the independence of Canada, and many other things commonly esteemed wild and visionary. Behind all he said and wrote was felt a great reserve of wisdom and integrity.

“To a Millionaire” and “The City of the End of Things” articulate a critique of ..
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Archibald Lampman, (1861-1899) ..

Officially, the Reverend Archibald Lampman “retired in 1875, and was borne on the original commuter’s list of the Diocese of Huron” where he had served in his first parish.

The Work Of Poet And Philosoher Archibald - Реферат

The frost that stings like fire upon my cheek,
The loneliness of this forsaken ground,
The long white drift upon whose powdered peak
I sit in the great silence as one bound;
The rippled sheet of snow where the wind blew
Across the open fields for miles ahead;
The far-off city towered and roofed in blue
A tender line upon the western red;
The stars that singly, then in flocks appear,
Like jets of silver from the violet dome,
So wonderful, so many and so near,
And then the golden moon to light me home--
The crunching snowshoes and the stinging air,
And silence, frost and beauty everywhere.

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His monograph on Walter Phillips, written with the informality of an art lover rather than the jargon of a critic, is enlivened with quixotic comments like this: “[English-born Phillips] was neither blessed nor hampered by Canadian ancestry or birthplace.”

Devoted to Lampman to the end, Scott edited Selected Poems of Archibald Lampman (Ryerson 1947).