great mind of emerson, whitman and melville ..

Whitman, an American poet, and Emerson, an American philosopher, take different approaches in their search for self-discovery, yet within their solutions, many parallels can be found....

emerson, whitman and melville, emerson.

Whitman and Emerson explore these ideas in their works, Song of Myself and Self Reliance.

Art and Expression in the Age of Emerson and Whitman

Henry David Thoreau, Ralph Waldo Emerson, and Walt Whitman were three authors during this time that wrote about an idea that would later become the theme of many papers, discussions and lectures, Wakefulness.

The Subversive Imagination in the Age of Emerson and Melville.

Reprint of original 1988 edition (New York: Knopf). This book shows that the major pre–Civil War authors made extensive literary use of images and themes borrowed from 19th-century cultural phenomena such as sermons, newspapers, reform tracts, erotic writings, urban fiction, sentimental novels, and popular humor. Reynolds reveals swirling, subversive cultural energies that helped fuel the iconoclastic themes of Emerson, Thoreau, Whitman, Hawthorne, Melville, Poe, and Dickinson.


Free Ralph Waldo Emerson Self-reliance Essays and …

The classics and masterpieces produced in these yearsinclude:-

Emerson's ,

Hawthorne's and

Melville's and ,

Harriet Beecher Stowe's ,

Thoreau's , and

Whitman's .

A clear directness of connectivity between Transcendentalismand this phase of artistic creativity can be appreciated byquoting the opening and closing lines of Walt Whitman's mostcelebrated poem "Leaves of Grass."

I celebrate myself,
And what I assume you shall assume,
For every atom belonging to me as good belongs to you ...

Staten, Nietzsche, Emerson | Dyssebeia

Ralph Waldo Emerson, a collogue and admirer of Walt once spoke this of him '…Whitman, that Sir, is a strange case, a case unknown to any of us, unless we should stumble upon him at church one day…';(Chase 142)....

New England Transcendentalism Ralph Waldo Emerson

Facsimile reprint of original 1941 edition (London and New York: Oxford University Press). Reflecting the New Critics’ interest in symbolism, ambiguity, and paradox, Matthiessen dwells on the stylistic richness of Ralph Waldo Emerson, Henry David Thoreau, Walt Whitman, Herman Melville, and Nathaniel Hawthorne. Although he slights noncanonical literature of the period, Matthiessen provides context by placing the major authors in the literary tradition, from the metaphysical poets to Henry James and T. S. Eliot, and he reaches suggestively into cultural areas such as politics, oratory, religion, and landscape painting.