Analysis of Olive Trees by Vincent Van Gogh Essay examples

(Daniel 4); a blind man who received Jesus’ healing touch saw "men as trees walking." But the clearest illustration is found in three passages of the Hebrew Scriptures:

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Match the Pictures of Decorated Fir Trees to Their Shadows;

In Zechariah’s vision, the two olive trees could be as the "two folds" Jesus spoke of in John 10:16 when He said, "Other sheep I have which were not of this fold; them also I must bring and they shall hear my voice, and there shall be one fold and one shepherd." The two olive trees of Zechariah’s vision have the same purpose: KEEP THE LIGHT BURNING!

under the cluster of the olive trees, ..

The night the went on patrol was a quiet one. The three men debated amongst the shadows of the trees whether this was due to the lack of moonlight and a chilly wind.

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Next, I glazed Jasmine over each tree, added another layer or two of Limepeel, and a layer of Olive Green. I used medium pressure and a variety of strokes for each layer, hatching, cross-hatching, and circular or squiggly strokes to mimic the look of distant foliage.

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In the meadow in front of the trees, I used short vertical strokes and light to medium pressure to layer Jasmine, Limepeel, more Jasmine. I finished with a few touches of Olive Green before burnishing alternating layers of Jasmine and White with horizontal strokes.

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The trees on the horizon were layered with Olive Green into the shadows on each tree, then and glazed Bronze over all of each tree. I followed that up with another layer of Olive Green into the shadows, then burnished with Sky Blue Light, a little Dark Green and Dark Brown into shadow accents and a burnishing with the colorless blender.

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In the middle tones, I used Olive Green and Limepeel with heavy pressure and a variety of strokes. I then burnished the trees with Cream in the lighter areas and Powder Blue in the darker areas. Those two colors are about the same value, but the difference in color temperature (Cream is a warmer color than Powder Blue) helped create the look of distance as well as light and shadow. The result was a muted value range. Burnishing further blurred the details and pushed the trees into the distance.

The Shadows Play | Here be stories

~Alice Walker, , 1982

I am not bound for any public place, but for ground of my own where I have planted vines and orchard trees, and in the heat of the day climbed up into the healing shadow of the woods.

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Olive trees reflects the artist’s Dutch heritage by its origination and in his passion for bright colors, which comes from a Dutchman’s reaction and love for colors.

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Like many of Van Gogh’s paintings, Olive Trees commences as a landscape and expands into a complex work, disclosing influences from other times and places.