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Students also learn the history of how American journalism developed, the meaning of press freedom in the United States, and the social, political and ethical responsibilities of journalists.
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That absolute control permitted horrible, unthinkable brutality, to be sure, but perpetrating such brutality was neither the point of slavery nor its essential injustice. The master-slave relationship could, and did, exist without brutality, and certainly without sadism and sexual degradation. In Tarantino’s depiction, however, it is not clear that slavery shorn of its extremes of brutality would be objectionable. It does not diminish the historical injustice and horror of slavery to note that it was not the product of sui generis, transcendent Evil but a terminus on a continuum of bound labor that was more norm than exception in the Anglo-American world until well into the eighteenth century, if not later. As legal historian Robert Steinfeld points out, it is not so much slavery, but the emergence of the notion of free labor—as the absolute control of a worker over her person—that is the historical anomaly that needs to be explained. Django Unchained sanitizes the essential injustice of slavery by not problematizing it and by focusing instead on the extremes of brutality and degradation it permitted, to the extent of making some of them up, just as does The Help regarding Jim Crow.
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Major life-cycle events such as birth, coming-of-age, marriage and death; important life-changes such as graduation or retirement - and even far less momentous shifts such as the daily transition from work to play - all require ritual endorsement. The concept of - the rituals marking transition from one status or stage in the life-cycle to another - has long been a staple of the anthropological diet. Rites of passage serve to construct, facilitate and enhance the difficult passage from one social, physical or economic state to the next. Alcohol, in most cultures, is a central element of such rituals.

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